I’d declared a moratorium on having frivolous summer fun enjoying first run blockbusters as long as the City of Morons was on a global rampage to prove itself relevant. Today though, I got the same vibe Tim Dillon was sharing, that we’d turned a page and smarter cities were taking over the decision making, so I dipped into The Bagdad for the latest Spidey movie (I’ve seen a bunch of em).
I saw a lotta plot parallels with the latest ET movie, in that the Department of Damage Control was much like the evil agency seeking to exploit ET tech.
That’s a common theme: anything powerful, like the Nazi ideology, needs to be harnessed and redirected, hence Operation Paperclip and the birth of NASA, which JFK then refocused away from Los Alamos style phallic missile play to a moon-focused Apollo Program, effectively making the most admired job (that of astronaut) seem civilian instead of military.
Apollo-Soyuz threatened a lotta personality cults, distracting the rank and file from wanting military style glory. Vanity dictated a solution be found. But I digress.
Peter Parker is very lonely, because he has these unrealistic spidey powers no one else has. Sure, there are other circus freaks out there.
He’s got company. Just no good friends, as anyone with superpowers is likely villainous (back to Department of Damage Control), whereas Parker is a stereotypical “good guy” (his character has always been “a protagonist” in the Ancient Greek sense of the word i.e. noble, heroic).
Peter really wants to get back with MJ and is somewhat the obsessed stalker. But in wiping her mind for her own protection, he wiped out the old MJ. The new MJ is kind to him, but not madly in love, not up to reciprocating his tender feelings (I shoulda said “spoiler alert” but y’all coulda predicted this twist).
Then Peter meets a different girl with powers rivaling his, and so another villain at first, predictably.
But after a Vulcan mind meld of sorts, they both realize they have more in common than not, so why not be on the same side against the City of Morons (or the NYC-based equivalent)?
The subplot is Peter is entering a next chapter in becoming more like an adult spider, which is kinda gross. Younger viewers will recognize the onset of puberty is being alluded to, much like in Inside Out 2. Hormones.
Peter is doing his best to tamp it down, by means of a neck implant (he and MJ are both genius level in biochemistry), as his becoming more spidery is really messing up his game, and taking a toll on his self control. He even hurts (not fatally) an innocent cop, one of the good guys, in a blind rage.
What he really needs is some R&R, but the situation he faces (MJ is in danger) is way too dire. Heroes need an heroic journey, ways to prove (and develop) their metal. Marvel comics (akin to manga) know the formula.
Did I mention the Hulk gets to be a star too? This is the MCU (Marvel Comics Universe) after all.
I’m not being negative or dismissive when I say “formula”. Movie alchemy is based on casting the right spells at the right time, thereby being bewitching and giving audiences their money’s worth (as a dude with a senior-priced ticket, in a cool theater on a hot day, I did not feel ripped off).
Upon discovering his female counterpart (his anima in Jungian terms) he’s freer to loosen up about his true identity. His closest friends get to know what’s behind the mask. He reintegrates into society more successfully, realizing he’s appreciated (so not so alone after all).
By the end, he has regained his equilibrium, and is ready for a next movie, perhaps with more friends. The franchise must go on. Stay tuned.













